About the Book
The Joseph Conrad Centennial Book Project is a comprehensive
study of Conrad’s works, focusing on the trajectory of shifting perceptions in
Conrad’s studies. The hundredth death anniversary of Joseph Conrad is an
obvious occasion for a critical revaluation of his literary works. The book
includes a critical and insightful introduction by Professor Jeremy Hawthorn
and a foreword by Professor Robert Hampson, both esteemed scholars, and serves
as a collection of Conradian scholarship and legacy. This collection features
essays interconnected by various themes and perspectives from leading experts
in Conrad studies. The book offers key concepts for understanding Conrad’s
complex fiction and nonfiction, making them accessible without oversimplifying
his serious ideas and literary motifs. The purpose of this centennial project
is to revisit the extraordinarily complex and diverse works of Joseph Conrad
for global readers.
The book serves as a valuable resource through
the complex labyrinth of Conrad’s works. It offers critical and theoretical
perspectives on Conradian studies. Conrad’s works remain relevant because the
world he explored reverberates continually, offering a fresh outlook and
understanding as it revisits contemporary issues and discourses. The book offers
a thorough overview of recent advancements in Conrad studies and presents a
notable collection of scholarly articles on his works. The book provides a
different and more complex sense of Conrad’s place in literary history.
Scholars and students seeking a current perspective on Conradian studies will
find this collection a highly relevant and resourceful book.
Contents
Foreword
Robert Hampson
Editorial
John G. Peters and Chandrakant Langare
Acknowledgements
Introduction – Still Going Strong: Conrad’s Fiction a Hundred Years On
Jeremy Hawthorn
1
Joseph Conrad and the Epistemology of Space
John G. Peters
2
Clenched Fists and Open Hands: Conrad’s Unruliness
Laurence Davies
3
Conrad in the Anthropocene
Nidesh Lawtoo
4
Philosophical Intertextualities in Chance
Nic Panagopoulos
5
Fabricating Lives: The Act and Theme of Narrative in Conrad’s Fiction
Brian Richardson
6
Letters in Conrad’s Narrative Fiction: Nostromo and Lord Jim
Jakob Lothe
7
Nationalism and Its Discontents: Conrad and Tagore
Rajendra Chenni
8
‘Pity may be a Crime’: Counter-Revolutionary Discourse in Joseph Conrad’s The Rover and Satinath Bhaduri’s Jâgari
Subhadeep Ray and Subhasnata Mohanta
9
Moral Quest and Self-Assessment in Heart of Darkness and The Shadow-Line
Gianluca Cinelli
10
Nostromo: The Art of Uncanny Storytelling
K. Sripad Bhat and Fayaz Sultan
11
Chance: Romance, Melodrama, and the Poetics of Liberalism Jay Parker
12
The Ear Listening to the Memory: Conrad’s Epigraph and Victory
Kaoru Yamamoto
13
The “Weakened” Intertextuality of Polish Romantic Drama in Joseph Conrad’s Writings in the Light of the Polish Biedermeier: Hesitations and Considerations
Karol Samsel
14
Conrad and Chéreau in Dialogue: Text, Intertext and Dialogue in/between “The Return” and Gabrielle
Gita Viswanath
15
Heart of Darkness’ Reverberation in Le Talisman and Nedjma: Writing to Name “The Horror”
Fadhila Sidi Said - Boutouchent
16
Three Ghosts Haunting Conrad’s 1914 Polish Visit
Jean M. Szczypien
17
Voices in Joseph Conrad’s Heart of Darkness
Sanjeev Khanna
18
Emotion in “The Warrior’s Soul” and “The Death of Atsumori”
Yoko Okuda
19
From Cipher to Number: A Numerological Survey of the Heart of Darkness
Michel Arouimi
20
Storytelling as Gift Exchange in Conrad’s Fiction
Sabrina Zerar and Bouteldja Riche
21
Remapping Almayer’s Grotesque and Narcosis in Joseph Conrad’s Almayer’s Folly
Chandrakant Langare
Contributors
About the Author / Editor
John G. Peters, a University Distinguished Professor at the University of the North Texas, USA, is past President of the Joseph Conrad Society of America and current General Editor of Conradiana. His books include Joseph Conrad’s Critical Reception (Cambridge 2013), The Cambridge Introduction to Joseph Conrad (2006), Conrad and Impressionism (Cambridge 2001), A Historical Guide to Joseph Conrad (2010), volume 2 of Joseph Conrad: Contemporary Reviews (Cambridge 2012), and the Norton critical edition of Conrad’s The Secret Sharer and Other Stories (2015). His articles have appeared in such journals as Philosophy and Literature, College Literature, Studies in the Novel, Studies in Short Fiction, and English Language Notes. He has also translated the Japanese Poet Takamura Kotaro’s book The Chieko Poems (Green Integer 2007).
Chandrakant Langare is an Associate Professor of English at Shivaji University, Kolhapur, India. He has published articles on Joseph Conrad’s novels, film studies, culture studies, and Dalit studies in edited books and journals. He has published book reviews in journals of national and international repute. He has coedited two Global Interdisciplinary Commemorative Books on Mahatma Gandhi, Reflections on Mahatma Gandhi: The Global Perspectives and Rethinking Mahatma Gandhi: The Global Appraisal (Rawat, 2021), with Prof. Terry Beitzel. He has edited book, Under the Lens: Films, Gender, and Culture with Tripti Karekatti (Crescent, 2023). He has presented papers on Dalit autobiographies and films of Shyam Benegal at PAMLA and NEMLA conferences held at Seattle University, Washington, and Johns Hopkins University, Baltimore, USA. He has presented a paper on early modern Indian poets at the 42nd EMS Conference 2014 at the University of Reading, England. He has presented research papers on Joseph Conrad’s fiction at Roma Tre University, Rome, Italy; the University of Kent, England; and UMCS, Lublin, Poland. In 2023, he was invited by the Mahatma Gandhi Centre at James Madison University, USA as a visiting scholar.