Jasbir Jain (Ed.)

But the processes of producing meaning and interpreting meaning are complex and multilayered. They get caught up in histories, locations and experiences. Neither film nor literature is a self-contained autonomous medium or artifact and even as they use and produce culture, they become its subverters.
The range of the interpretative strategies is amazing: social and political history, gender positions and feminist theory, cinematic frameworks and the theory of the gaze; landscape, space and exteriority; diasporic location and relationship to the culture of origin; religion and patriarchy; the city and its history, and the history of the making and reception of the three films Fire, 1947-Earth and Water.
The various interpretations provide a base for working out the psychodynamics of the relationship of the viewer with the text and invite the reader to participate in this multi-directional debate between reality and representation.
Jasbir Jain, UGC Fellow at the University of Rajasthan, is currently working on a project Indigenous Roots of Feminism. Series Editor of Writers of the Indian Diaspora, Jain has also worked on drama and films. Her recent publications include “Beyond Postcolonialism: Dreams and Realities of a Nation” “Reading Partition/Living Partition”.
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